And what better way to mark the start of both Pride Month and National Accordion Awareness Month than with a rainbow accordion?
Weltmeister makes a couple of rainbow accordions — the 30-key, 72-bass, 5-register Juwel (US$3,000), and the slightly larger 34-key, 72-bass, 5-register Achat (US$3,300). Accordions aren’t cheap!
Happy Pride Month and happy National Accordion Awareness Month, everybody!
The people who use “woke” as a term of derision are the same as those who used (or still use) the term “politically correct” for the same reason:
I think Mike Godwin — yes, the Godwin after whom “Godwin’s Law” is named — is right when he says this:
Or, to quote Neil Gaiman on “woke’s” predecessor, political correctness:
I was reading a book (about interjections, oddly enough) yesterday which included the phrase “In these days of political correctness…” talking about no longer making jokes that denigrated people for their culture or for the colour of their skin. And I thought, “That’s not actually anything to do with ‘political correctness’. That’s just treating other people with respect.”
Which made me oddly happy. I started imagining a world in which we replaced the phrase “politically correct” wherever we could with “treating other people with respect”, and it made me smile.
You should try it. It’s peculiarly enlightening.
I know what you’re thinking now. You’re thinking “Oh my god, that’s treating other people with respect gone mad!”
Last year, I heard about a painting by Jonathan Harris, titled Critical Race Theory, pictured below:
It depicts Black people, led by Martin Luther King, Harriet Tubman, and Malcolm X, being covered up with white paint by an unidentified White man with a roller.
It’s the perfect painting for the present moment, when Florida under Governor Ron DeSantis is:
Here’s Jonathan Harris’ bio, taking from his site:
Jonathan Harris (b. 1988) is a visual artist who was born and raised in the city of Detroit. After attending the Detroit School for the Fine and Performing Arts, he attended Henry Ford Community College, Antioch College, and Oakland University, where he majored in Graphic Design and minored in Studio Art. Oil paints, acrylics and charcoal are his media of choice. He has perfected and become known for an oil enamel technique, resulting in graphic, high contrast portraits, without the use of a brush.
Jonathan’s work is emotive, with a focus on current events and the African American experience. Bringing awareness to social and world issues, in addition to instilling pride in the Black community, are goals that he strives to accomplish through his visual and curatorial work. Harris and his works have recently been featured extensively in the press, including on PBS American Black Journal, PBS One Detroit, CBS Local, and in the Detroit Free Press, Michigan Chronicle and Oakland University Post. One of the artist’s latest paintings, Critical Race Theory, created in response to recent controversy over the same subject matter, has garnered responses and sparked conversations across social media platforms around the world.
Harris’ art currently resides in prominent collections, including the N’Namdi Center for Contemporary Arts, David and Linda Whitaker, and Michigan State Representative Shri Thanedar. He served as a juror for Canvas Pontiac 2022, and his work has been exhibited at Swords to Plowshares Gallery. He has shown in and curated special exhibitions at Irwin House Gallery, as well as the BONDED exhibit at Beacon Park, along with a team of distinguished Detroit arts professionals.
In 2022 Jonathan Harris was named one of 2022’s Influential Artists To Watch by the Detroit News, and received The Spirit of Detroit Award from the City Council of Detroit, Michigan.
I ordered a signed print, framed it, and hung it up proudly in my home office:
You can order one (prices range from US$125 – US$200) on Jonathan Harris’ ecommerce site.
According to iGroove’s recent study (original German version here, English interpretation here), a musician or band can expect to get paid 0.3¢ to 0.5¢ per Spotify stream, which means that they’d need somewhere between 200 to 333 streams of one of their songs to make a single dollar. Music may be what musicians make, but unless you’ve made it big, it doesn’t pay the bills.
Want to really support your favorite act, especially if they’re small? Go to their shows, see the live, and buy their merchandise. When you see artists live, you not only get a one-of-a-kind experience, but you also support them in the most effective way possible. Most of the money from tickets and merch goes directly to the artists, rather than the “middlemen” — the record labels, distributors, or streaming services.