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Downloads for Your Mobile Phone From Tucows

Photo: Mobile phone with Ross' face in the display.

The “Boss Ross” wallpaper isn’t available…yet! Image courtesy of PixelPerfectDigital.com.

The company where I work — Tucows — has launched a “Mobile Phone

Content Library”. Simply put, it’s a place where you can download

ringtones, wallpapers and games for your mobile phone.

Here’s the text of the official press release:

TORONTO, CANADA, 15 December, 2004 — Tucows Inc. (OTCBB:TCOW), today announced the launch of a new content library for mobile phones at www.mobile.tucows.com.  The company is working with Mediaplazza, part of the Jet Multimedia Group.  Mediaplazza provides a leading platform with mobile content, such as ring tones, cell phone games and wallpaper.

 

“We are very excited about the launch of our second new library this year,” said Elliot Noss,

President and CEO Tucows Inc.  “Our download customers rely on

Tucows to be their best source of specialty and leading edge tools for

their computing and personal devices and this library will service the

exploding market for mobile content.”

 

“Tucows is a great client to have. They have a unique relationship with

Internet Service Providers around the world.  This new agreement

will increase the availability of our tools to cell phone users

worldwide,” commented Marc-Antoine Ross, Country Manager of MediaPlazza

North America.

 

Tucows chose to work with Mediaplazza because they have developed

partnerships with large companies and their platform is connected to

more than 122 telecom operators.

 

“We are pleased to have Mediaplazza’s mobile phone tools distributed

via the Tucows website. They have a powerful international web presence

and we at MediaPlazza like to consider ourselves citizens of the

world,” said Eric Gautier, Owner of MediaPlazza, part of the Jet

Multimedia Group.

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This Should Be a Short Fight

[via the file-trading site I’m not allowed to talk about] Hey, Muhammad

Ali was great and all, but really, this fight should last all of one

second, and that’s with Supes taking it reeeeally easy.

Comic: Cover of 'Superman vs. Muhammad Ali'.

I think the writers of Space Jam stole their ideas from this comic.

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Ah, Good Old Achewood

The webcomic Achewood is still cranking out gems. Here’s a panel from today’s comic:

Comic panel: Roast Beef from 'Achewood' discovers the truth.

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Programming for Cities

[This was also posted on The Farm.]

Programming for

Cities is one of those events that made me wish

I had some kind of teleporter device:

“Programming

for Cities” is a

workshop that reinforces a long existing link between

code and

architecture. Many fine buildings can be reduced to a few lines

of

code, and a quick glance backward in time shows that is a consequence

of architectural theory.

This workshop will

start with a short but broad overview of this longstanding

connection

between programming and architecture. After this the basic

elements

(about 6 of them) of programming will be discussed. The main

part of

the workshop will be consisting of a hand-on approach to design

a

city from code.

Technical skills are

not needed for this workshop. No Computers will

be used. This

workshop is ideal precisely for those people who think that

programming is not for them.

Apart

from making people familiar with code, which might break the ice

in

actually learning a more conventional programming language, the

purposes

of this workshop is to show a method of design that is

driven by internal

logic instead of the ‘one damn bit after another’

approach more commonly

used.

If you’re in Amsterdam tomorrow and you have the time,

Programming for Cities is being held at:

Friday

December 3rd, 3 pm

Public Space

With A Roof Overtoom 301

1054 HW

Amsterdam

The Netherlands

http://www.pswar.org


Bonus reading material: If the concepts of programming and urban

design

appeal to you, I believe you’ll find Paul Graham’s article, Made in USA, quite

interesting.

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Quite Possibly the First Time the Word "Blog" was Used in Comics

In honour of “blog” being Merriam-Webster’s “Word of the Year” for

2004, here’s what I believe is the first occurrence of the word in a

comic book…in 1959.


In 1959, the Lois Lane comic featured Clark Kent and Lois Lane in a story in which our two favourite Daily Planet

reporters end up in one of those “valleys that time forgot” that

eventually appear in every suprerhero comic. It’s typical “goofy age”

Superman fare: Lois and Clark end up in some crazy situation in which

Lois acts all stuck-up and Supes uses his powers surreptitiously.

What

makes this comic noteworthy is the use of the word “blog”.

Unfortunately, it’s not “blog” as in “weblog”, but “Blog” as the name

of a cave-dwelling nebbish.

Just call her “Mrs. Blog”! The splash page of the comic.

Note Lois’ and Clark’s attire in the comic panel above. Although the

pith helmet and khaki clothes are suitable for jungle trekking, they weren’t

actually planning on going to the jungle; their plane just crashed

there. They were doing some work in Mexico City, where they were

wearing those clothes. I’m pretty sure that Mexico City was not

a jungle, not even in 1959. They must’ve been walking around in those

outfits while the locals laughed at the ridiculously-dressed gringos.

A weak-muscled jellyfish

with awesome pecs, a six-pack and biceps and quadriceps the size of

tree trunks. It must be the glasses that are throwing her off.

Remember, this was before geek chic.

The valley in which the plane crashes is full of pretty noble savages.

They check to see if Lois is married before hooking her up with

the last single member of the tribe.

Introducing…Blog! If you put a baseball cap on him, he’d look just like “Cooter” from the old Dukes of Hazzard TV series.

A number of comic book plotlines from this era are what I like to call

“superhero knows best”: an arrogant “normal” bites off a little more

than he or she can chew, and the superhero smugly teaches the normal a

lesson with the assistance of super-powers.

Someone should write a book titled Women Who Send Suitors on Suicide Missions and the Men Who Love Them.

Here’s where the fun begins. Even though the cavemen say that Lois is

their prisoner and that they can go all Abu Ghraib on her, poor Blog

still has to prove himself worthy by performing three tasks

(essentially a 75% off version of the Labours of Heracles). Wendy made

me do the same thing; the three tasks she assigned to me were:

  1. Belch the alphabet and these two smilies:
  2. Go to the grocery store while extremely hung over and rearrange the Campbell’s soup cans in alphabetical order
  3. Give her a backrub

Lois, who’s developed a severe case of self-centredness after

having Superman as her personal bodyguard, decides to give Blog a

series of impossible tasks in the hope that he’ll chicken out. What she

fails to account for is the male ego, especially when in the pursuit of

a hot chick. It’s the reason why a lot of young men’s last words are

“Hey everybody, watch this!

Nope, nothing Freudian about that meat on a stick. Nope, it’s just a perfectly innocent penis. I mean drawing.

Luckily for Blog, Superman is there. Supes uses his powers to make it

seem as though Blog performed the impossible tasks assigned to him by

Lois. After Blog completes the third task, Supes uses his super powers

to help Lois escape from the valley of the cavemen. He could’ve done

that  from the very moment the plane crashed, but then there’d be

no story, would there?

Chicks dig blogs!

Download the comic [1.9 MB .zip file]. If you

have one of those programs that can read .cbz files (like CDisplay for Windows or FFView for Mac OS X), change the filename extension of the file from .zip to .cbz.

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Adam Smith: Live Event Photography

My old partner in software development crime, Adam Smith, is a man of

many interests: graphic design, user interface engineering,

record/CD/DVD/book collecting, music — especially flamenco percussion,

coffee, ranting and photography. This entry is about that last interest.

Since moving back to Vancouver from Toronto, he’s started a freelance photography business,

and his work is excellent. He specializes in available-light (a.k.a.

Flash Free photography), which I prefer myself — especially for live

events. He’s written up an explanation behind this preference:

I have chosen to avoid flash photography mainly for two reasons.

Firstly it’s distracting to the performers and the audience. The performance is the reason

those people are all there, and most people in the room will have payed money to be a part

of the event. Excessive use of flashes is just rude.

Secondly, and perhaps more importantly, I want my photographs to be a representation of what

the audience saw at the performance. If the performance was dark and moody, the photographs

should reflect that. Performers choose lighting carefully —

it’s as much a part of the presentation as their appearance and the sound quality.

If you’re out in the Vancouver area and you need a photographer for a

live event, Adam Smith is your man! Tell him Joey sent you.

Photo: Chuck D, photographed by Adam Smith.

Chuck D, photographed by Adam Smith.

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Chris Turner, Radiohead and Copyright

(I wasn’t going to post until tonight, but Wendy told me that the story I’m about to tell appeared on Copyfight. I’m not going to get scooped by BoingBoing this time, especially since I’m much closer to the story than their resident copyright guru, Cory Doctorow, is.)

Chris “Turner” Turner is an old friend of mine from our DJing days at Crazy Go Nuts University’s engineering pub, Clark Hall Pub. He is also an award-winning magazine writer and recently release his first book, Planet Simpson, a 450-page thick book that takes both a scholarly and a personal look at The Simpsons as both the reflector and director of popular culture. On a blog bearing the same name as his book, he (or more often, his wife, Ashley Bristowe) chronicles his adventures in the wild world of book publishing and promoting.

Turner has one entry that’s caught the interest of Copyfight. In the

entry, he talks about how he had to pay US$350 to Warner Brothers in order to quote a couple of

lines from a handful of Radiohead songs in Planet Simpson, while not

having to pay a single dime to Fox for the zillions of quotes from

Simpsons characters. He also notes:

“…of all the TV shows and movies and books and rock & roll songs I discuss in Planet Simpson (a vast, vast, vast

number), the only artists I’ve met personally are Radiohead. In other

words, I’ve had to pay to discuss the work of the only people cited in

the book who, in theory, I actually could’ve asked in person for

permission to use their work.”

To

my mind, quoting portions of lyrics and attributing them to the artist

should be considered fair use. However, the record companies don’t

think so, and this isn’t the first time this sort of thing has

happened. Pete Abrams had to change some strips of his webcomic, Sluggy Freelance, after being spanked for usiing — and attributing — the lyrics for James Taylor’s Fire and Rain.

We really need to spank the record companies.