This is a big collection of files, so they’re being distributed by BitTorrent (written by my friend Bram Cohen, who I’m glad is finally reaping some rewards for writing this fine piece of software). You can download BitTorrent here.
Here’s the set list for the show:
1. Bone Machine 2. Wave of Mutilation 3. U-Mass 4. Levitate Me 5. Broken Face 6. Monkey Gone To Heaven 7. Holiday Song 8. Winterlong 9. Nimrod’s Song 10. La La Love You 11. Ed Is dead 12. Here Comes Your Man 13. Vamos 14. Debaser 15. Dead 16. Number 13 Baby 17. Tame 18. Gigantic 19. Gouge Away 20. Caribou
21. Isla De Encanta 22. Velouria 23. In Heaven->Wave of Mutilation (UK Surf) 24. Where Is My Mind? 25. Into The White
I’m listening to them right now, and lovin’ ’em!
(And yes, Meryle, I’ll burn you a copy on CD-ROM for your birthday.)
claps, cow bells, syrupy orchestration, walls of sound, wrecking crews,
sha-la-las, toothy teen idols or candy-based metaphors for carnal acts,
Tom Jones singing Ring of Fire? Yes, please! [3 MB MP3 download]
Ever wondered what the theme from Hawaii 5-0 would sound like if it had lyrics and Sammy Davis Jr. sang it? Wonder no more [2MB MP3 download].
Ever been working on a project on your computer and were so deep into
the “flow” that you forgot to save your work? Then been hit by a power
outage or system error forcing you to reboot? Then you know what Macarthur Park [7MB MP3 download] — the unexplainable and overwrought pop hit sunch by Richard Harris in his overly eeee-loooo-seeeee-dated style — is all about:
Macarthur’s Park is melting in the dark
All that sweet cream icing flooooowing doooooown
Someone left the cake out in the rain
I don’t think that I can take it
Because it took so long to bake it
And I’ll never have the recipe agaaaaaaaaaaaaain!
Forget the Donna Summer version; this is the real deal, baby!
There are 74 weeks’ worth of MP3s on the site. Download, and enjoy the pure pop cheesiness!
There was a birthday party for my friend Marlo on Saturday. Dinner — which I missed, owing to some prior commitments — was at the anything-goes yuppie hangout Seven Numbers.
I caught up with Marlo and her entourage after dessert, at which point everyone decided that they wanted to go dancing. I suggested the neighbourhood I call “Clubland”, a busy row of bars and clubs just south of where I live. We were going to see if we could get into Fez Batik, and if the line was too long, we had at least a dozen other clubs from which we could choose.
The line for Fez wasn’t moving at all, so we decided to walk south and try our luck at the clubs on Adelaide Street. Luck was with us; while The Living Room had a decent crowd inside, there wasn’t any line.
A brunette bartender in pigtails and olive green tank top motioned for me to come over to the bar.
“Can you play that thing?” she asked, pointing at my accordion, which I was wearing like a backpack.
“Yeah, otherwise it would just be a thirty-pound fashion accessory,” I replied.
“I’ll buy you a drink if you play something for me.”
I don’t remember what the DJ was playing at the time, but it was easy to figure out which key it was in. I remember the song having a simple riff and that I had no trouble playing it. The bartender was impressed and she poured two shots of Goldschlager — one for her, one for me.
A bearded man in a grey sharkskin suit walked up to me.
“That was great! By the way, I’m Tony. I run this place. Follow me to the DJ booth.”
I followed him through the crowded dance floor and into the booth.
It was occupied by the DJ and a couple of hangers-on. The DJ was
starting an old-school set with Prince’s Kiss. Tony asked the DJ for the microphone.
“Ladies and gentlemen,” Tony announced, “please welcome the latest addition to The Living Room family…the Accordion Dude!”
I tipped my hat to the crowd. Tony pointed the microphone at the accordion and said “Go on, play.” Luckily, Kiss is a I-IV-V song, heavy on the sevenths, and it took me only two stabs at the keyboard to find the right key – A. I played through to the end of the song and even managed to get in a decent solo.
Tony led me to the bar on the opposite end of the dance floor, where he asked me to play something for the dreadlocked barman. I forget what the DJ was playing at the time, but once again, it was easy to figure out the notes and I played along. The earned me a free drink from this bartender, and Tony gave me a fistful of tickets good for free drinks. He then led me to the lounge near the front of the club to play for the bartender there. Marlo and company were in the lounge, so I gave them the drink tickets.
“When the accordion train comes in, everybody rides!” I said.
I managed to have a couple of vodka-and-cranberries with the birthday party before Tony came back with an idea.
“I’m gonna have you dance right on the main bar. It’ll be just like Coyote Ugly, but with an accordion.”
He put two crisp fifty dollar bills in my hand and led me to the bar with the pigtailed bartender who served me first. They cleared off a section of the bar for me, and I climbed up and played and danced.
The bartender, Jenn, kept feeding me Goldschlager shots. So far, I hadn’t spent a dime on drinks and I was actually making money.
Marlo had my camera and took a couple of pictures:
A couple of women reached up and tucked fivers in my pants. Inspired by this, Jenn climbed on the bar after last call and tucked my shared of the bar tips into my pockets while spanking me to the beat. This, of course, is why we boys take up playing instruments in the first place.
We decided to head out for some late-night eats after Jenn closed the bar. As I walked out, Tony asked me to meet with him later in the week to discuss a performance schedule. He wants me there every Friday and Saturday night.
I don’t really want to sacrifice my weekend nights to go-go dancing.
(I just read that last sentence and thought: That’s one of those things I never expected to write.)