“…this McLobster does not smell like lobster. It doesn’t smell like anything but lettuce. Which, actually, is pretty much what it tastes like, too. Lettuce and celery.”
“…sweet, but not like lobster: more like imitation crab…”
“And I can’t believe I’m saying this about something from McDonald’s, but it neededsalt. It doesn’t taste bad so much as it doesn’t taste like anything at all. It is lobster that has had its flavour replaced by a ‘Mc.’ It is lettuce and mayonnaise.”
Let’s get a look at another promotional photo:
Okay, now let’s look at another one served at a counter:
Music Hack Day is coming to Toronto on Saturday, August 10th and Sunday, August 11th! An event that’s taken place in many cities all over the world, Music Hack Day is when people with different skills and talents — programmers, musicians, designers and artists, to name a few — get together to brainstorm and quickly build prototypes of interesting musical creations. It’s happening here, and it’s free!
Here’s what their registration site says:
Music Hack Day is a hacking session in which participants will conceptualize, create and present their projects. Music + software + mobile + hardware + art + the web. Anything goes as long as it’s music related.
This is the first time that Music Hack Day has come to Toronto! We’re calling on all programmers, designers and artists to come and help us build the future of music.
Music Hack Day has been a great way to demonstrate the creativity around music that comes from the tech community, fostering cross-platform and cross-device innovation.
What’s It Like?
Music Hack Day is whatever the participants (everyone who attends is a participant — there are no spectators) make it out to be. The best way to get a feel for what it’s like is to look at some past Music Hack Days in other cities.
Creative Commons photo by Thomas Bonte. Click to see the source.
Music Hack Day London took place in their Facebook office in November 2012. Some of the goodies that were created in the 24 allotted hours were:
Barbertron: A software-based audio processor that turns a solo voice into a barbershop quartet.
Theremin.js: A JavaScript-powered Theremin that uses your computer’s webcam as its sensor.
Creative Commons photo by Duncan Geere. Click to see the source.
Music Hack Day Stockholm happened in January. Here are a couple of interesting projects from that event:
Super Mutroid: A Metroid-themed platform-jumper videogame that generates levels based on the music you give it; you jump over and duck under obstacles to the beat.
Joggify is a mobile exercise music app that plays music at regular speed while you keep jogging, but slows it down as you slow down and slack off. Stop jogging, and the music stops completely.
Creative Commons photo by “grossvogel”. Click to see the source.
Specklesounds is a sound generator based on Specklesense hardware.
Bohemian Rhapsichord takes snippets from Queen’s Bohemian Rhapsody and turns them into a full-screen sample playing instrument. Get your hands on a big-ass toucscreen start jamming!
And then there’s Drinkify. Tell it what you’re listening to, and it’ll suggest a cocktail.
There’s been at least one Music Hack Day project that became a full-on commercially-available product: Arpeggionome!
Okay, I’m Sold. What’s Up with Music Hack Day Toronto?
Here’s the official description of the event, taken from their “About” page:
Mission
To fast prototype and create brand new music apps (web, mobile or physical) in just24hrs.
To bring together the music industry and the developer community.
To highlight and showcase the platforms and API’s of companies working in and around music tech.
To foster cross-platform and cross-device innovation.
Overview
Taken place in 17 cities in different countries: London, Berlin, Amsterdam, Boston, San Francisco, Stockholm, Barcelona, Cannes, New York City, Denver, Philadelphia, Paris, Vienna, Reykjavík, Edinburgh, Sydney & Montreal.
Over 1.200 people taken part including developers and invited members of press/music industry.
Over 60 companies officially involved and associated with Music Hack Day.
Over 200 apps built during Music Hack Days, some of them launched commercially.
The sponsors and API providers for the event are:
Soundcloud: Online audio hosting and distribution.
Rdio: Music streaming service with a big-ass linrary.
The Echo Nest: A powerful music search engine that lets you search for songs by artist, similar artist, who’s hot, tempo, key and lots of other criteria.
Semantria: Text analytics and sentiment analysis. If you didn’t know that the Kinks’ song Lola was a bout a dude (I’ve met such people), Senatria will tell you.
GigaTools: An API for search for who’s having a live gig, where, and when.
LyricFind: A song lyrics search engine, powered by a lot of agreements with music publishers.
I Can’t Make This Event, But You Should Go!
An event like this — one that mixes music, technology, and the chance to hang out with old and new friends — has my name written all over it, but alas, I’m going to be out of town. I may be missing out, but that means you shouldn’t. If you’ve been dying to work on a music+tech project, go sign up for Music Hack Day Toronto! And once again, it’s free-as-in-beer!
Once again, it’s summer (although the weather may not agree), and it’s Friday, which means it’s Patio Friday in Toronto! Come join Accordion City’s working and non-working professionals at the rooftop of The Pilot (serving Yours Truly drinks since he was 17!), located at 22 Cumberland, just north of Bloor, between Bay and Yonge, for good people, conversation, and — of course — drinks. RJ Moorhouse will be holding down the fort starting at 4 p.m. (doesn’t he have a real job?), while I, being an actual productive member of society, should be there shortly after 6.
My moral philosophy is founded on the idea that there is an objective reality, and that man’s senses can perceive this objective reality. This faculty, which is man’s reason, is paramount above all else. He takes for evidence only his own experience, his own judgment, and that is why I do not hesitate to say, objectively, definitively, that “Caddyshack” is the year’s best movie.
Rodney Dangerfield plays a self-made man who is not ashamed of his ambition, who does not apologize for his success, and who gets excitement from the joyful reality that we are all going to get laid if we are willing to be productively selfish and to stop coddling the weak. In other movie news, I did not like how easily the boy escaped Jack Nicholson in “The Shining.” I have solved all the hedge mazes in the United States and Europe, and I can tell you they are not that complicated.
I loved Caddyshack too! Go and read the rest of the article; it’s quite amusing.
Real Ayn Rand on Pop Culture
Ayn Rand may not have really been a fan of Caddyshack, but she was a big fan of Charlie’s Angels. In April 1980, Jerry Schwartz of the Atlanta Journal-Constitution interviewed her, and she went on about a number of topics. Among them were her being unimpressed with Jimmy Carter (not a surprise) and Ronald Reagan (cue the sound of a lot of Republican heads exploding over this fact), the differences between Europeans and Americans, and her appreciation of the TV shows Kojak and of course, Charlie’s Angels. The recording is available online, but don’t think you’re getting it for free, you nanny-statist parasite! It’ll cost you 99 cents at the Ayn Rand Institute eStore.
You can hear her talk about her love for Charlie’s Angels in her interview with Phil Donahue, which took place not long after the Jerry Schwartz interview. He asks her about the show starting at the 5:55 mark.
Why does she love the show? In her own words:
It’s the only romantic television show today. It’s not realistic. It’s not about the gutter, it’s not about the half-wit retarded children, and all the other kind of shows today. It’s about three attractive girls doing impossible things. And because they’re impossible, that what makes it interesting. It shows three young girls who are…better than so-called “real life”.
That is both an apt summary of Charlie’s Angelsand my definition of very good porn.
Damn right I had this poster in the late 1970s!
Farrah Fawcett and Ayn Rand shared a birthday: February 2nd. They also shared a correspondence, in which Rand expressed great admiration for Fawcett as well as a wish to cast her as Dagny Taggart in a movie version of Atlas Shrugged.In Farrah’s Brainy Side, an article published in 2009 in the Daily Beast, Amy Wallace presents some excerpts from an email conversation with Fawcett (which is surprisingly coherent, but perhaps that’s the funny/sad appearance on Letterman — here’s part 1, here’s part 2 — that’s colouring my opinion).
I’ll close with a quote from Farrah from the email exchange:
I don’t remember if Ayn’s letter specifically mentioned Charlie’s Angels, but I do remember it saying that she was a fan of my work. A few months later, when we finally spoke on the phone (actually she did most of the speaking and I did most of the listening), she said she never missed an episode of the show. I remember being surprised and flattered by that. I mean, here was this literary genius praising Angels. After all, the show was never popular with critics who dismissed it as “Jiggle TV.”
But Ayn saw something that the critics didn’t, something that I didn’t see either (at least not until many years later): She described the show as a “triumph of concept and casting”.
Even though I think that the Eldredge Tie Knot announces to the world that you’re trying too hard, I’ve given it a try our of sheer curiosity. I’ve followed the diagrams, but my attempts generally end up looking like the photo on the bottom:
I get the feeling that it was created by men’s store owners in order to create more wear and tear on ties and boost sales.
What happened when the production team at a local cable TV channel in Whitehorse was told “hey, you’ve got to make an ad promoting our broadcast of city council meetings…and try to make it look interesting”? They got creative and gave their promo a wonderfully over-the-top “based on the best-selling John Grisham novel” treatment using only stock footage and library music:
This is brilliant, and it’s an idea that local cable TV here in Toronto should borrow. We’ve got waaaay more interesting footage to work with, including this “never gets old” gem: