Categories
Accordion, Instrument of the Gods It Happened to Me

Now It Can Be Told (or: How I Landed My New Client)

A Quick Note

June 13, 2007: More than five years have passed since the events in this story took place. I’ve decided to make some small changes, namely:

  • Cleaning up some of the formatting,
  • revealing the real names of the people involved, with the notable exception of my date, who’ll go by the name “Maura”,
  • adding a new section at the end, explaining how the date ended.

A Lovely April

I’ve been sitting on this story for a couple of weeks, for reasons that will become apparent as you read on. It’s the story of how I got a really good client, a client for whom I begin full-time work this morning.

Like all good stories, it begins with a girl. Like many of my good stories, the accordion plays a role.

It was the start to particularly beautiful weekend in April. The weather was gorgeous, with cloudless skies every day and temperatures that would be the norm for July. My neighbourhood responded in kind, with the sidewalks packed with people in short sleeves, shorts and short skirts and the patios filled with people drinking beer late into the evening. I spent my days programming on my laptop with a wireless connection in my back deck under the the shade of a large tree with a cooler of Diet Coke at my side and The White Stripes on the stereo. I spent lazy summer-like evenings playing the accordion near the patios in exchange for beer, watching cute bands and getting drunk with my friends Will and Tina. Best of all, I had a date with someone very cute that Friday.

Dating and the Accordion

People have asked me if I actually bring along the accordion on dates. I do. It may seem like cheesy romantic comedy behaviour, but it’s been my observation that people actually like being serenaded, even if only for laughs. (I’ll admit that only one person has ever done the same for me. She spent a week learning to play Happy Birthday on the harmonica, and I damn near cried at the end. I’m a big ol’ sap sometimes.)

Good things happen whenever I bring the accordion, and if there’s a time when you want good things to happen, it’s on a date. My luck, if you haven’t noticed, tends to run to the bizarre. While I’ve had some really memorable someone-should-turn-this-into-a-movie dates, I’ve also had some absolute nightmare outings, including one where my date ended up in the fetal position, screaming her lungs out right in front of the Art Gallery of Ontario as a busload of horrified tourists looked on. Although it’s very unlikely that something like that will ever happen again, I still try and shift the odds in my favour by packing a little accordion mojo.

Smokeless Joe

My date, Maura, in addition to being cute and hilarious, was a cervisophile — a beer connoiseur. Knowing this, I suggested that we visit a specialty beer bar after dinner, and she agreed. There were a dozen bars from which I could’ve chosen, and from these I chose Smokeless Joe’s.

It wasn’t the closest choice — Smokeless Joe’s was a cab ride away — but that’s what popped into my head at the moment. I hadn’t been there in a dog’s age, they had one of the most extensive collections of exotic beers in the city, and it just seemed like a good idea at the time.

We were hoping to get a seat on the patio, but Joe told us that he was having some troubles getting it licensed. We took two stools at the end of the bar and proceeded to drink some expensive beers from the French section of the menu. I was having a great time, telling her stories about Burning Man and listening to her stories about her trips to the U.K.

As the end of the night drew near, the bartender, an Irish exchange student, asked if I would play the accordion after he announced last call.

“Go ahead,” Maura said, “I haven’t heard you play all night.”

“If you insist,” I said, unsnapping the two straps that held the bellows shut. I played a quick riff to warm up the valves and broke into Roadhouse Blues. Joe (I’m referring to the bar’s owner, not myself in the third person) favours bluesy music, followed by Born to be Wild.

The bartender and patrons sang along, while Maura couldn’t stop laughing.

After I was done, the bartender slid me a pint of draught (“on the house,” he said) and Maura nodded her approval.

Caught up in the moment, I didn’t see the woman walking towards us.

The Other Couple

“That was great!” she said to me, completely taking me by surprise, as my back was to her.

“Uh, thanks!” I replied.

She turned to Maura. “Your boyfriend is so cute and so talented,” she said to her, “How long have you been going out?”

The fact that she thought we were a couple amused me to no end.

Maura answered “I’ve only known him three weeks.”

“Three weeks? You’re just starting out! That’s so cute!” she exclaimed, with increasing giddiness. She turned to face the other end of the room and call to her boyfriend. “Shen! Come over here!”

It was all falling into place. She was caucasian, with dark hair and Eastern European features, while her boyfriend was Chinese. In seeing Maura — who was also caucasian — on a date with me, I guess that she saw in us an earlier version of her and her boyfriend.

This was squeezebox synchronicity, and I recognized it immediately.

I introduced myself to Shen, and then his girlfriend, Yvonne, introduced herself to me and Maura.

“You guys make such a cute couple!” said Yvonne I threw a sideways glance and smile at Maura, who returned it.

“Well, cute couple,” said Shen, “please come and join us. I have an office just two doors down the street, and I’ve got more beer.”

“Yes, please come!” said Yvonne.

I looked at Maura and asked her what she thought. She nodded. “Sounds like fun,” she said. “And hey, more beer!”

The After-Party and a Job Opportunity

Yvonne and Shen called to the other people who were sitting with them at the opposite end of the bar. We walked en masse out of Smokeless Joe’s and into a brownstone two doors south. Shen unlocked the door and let us in.

I looked around. It looked as if they’d moved into the place recently. There were signs of recent renovation work, and the carpet looked new. The place was clean and sparsely furnished; being a recovering dot-commer, I immediately recognized the furniture as being from the IKEA Office line. Each desk had either a late-model Toshiba laptop or a desktop computer with a large monitor with a red Buddha statue perched atop it. I saw a copy of Visual Studio .NET on a desk, a couple of programming manuals on a chair and a skateboard leaning against the far wall.

This place has all the earmarks of software development house, I realized. I wondered if they were looking for contractors.

“We’re working on some trivia games for Maxim,” Shen said, as he opened a closet to reveal a refrigerator full of beer. “If you’re a contract programmer, we might have some work for you.”

“Give me your card,” I said, trying to give the appearance that I was taking all this improbably good fortune in stride. “I’ll give you a call on Monday.”

Getting to Know You

One of Yvonne’s friends turned on some music. Shen introduced me to him as Bryan, and Bryan’s fiancee, Kirsten. While Kirsten and Bryan asked me the standard set of questions (“How long have you been playing the accordion?” “Why accordion, anyway?” “Do you always carry it around with you?”), Yvonne was hitting Maura up for some details about our “relationship”, asking about how we met, what I’m like, and so on. I was trying not to burst out laughing at how absurd this entire thing had become.

While conversing with Shen, I found out that he and I had both gone to Queen’s University. He graduated in 1995, and thanks to my Van Wilder-esque seven-and-a-half-year stint there, our academic careers overlapped for three years. He’d probably read at least one of my cartoons in the paper and attended at least one function where I was the DJ. The coincidences were piling at an unrealistic rate.

Meanwhile, Yvonne was getting Maura’s phone number. “I want us to stay in touch,” she said to Maura, “I think it would be fun if the four of us went out together sometime.”

She hasn’t known us ten minutes and already she’s scheduling a double date, I thought. Still, no one’s screaming the the fetal position, so I’m still ahead of the game.

Maura turned to me and said “Doesn’t that sound like fun, Joey?”

I put my arm around her and replied “Sure does, honey.” I hoped I wasn’t pushing my luck too hard.

We were both trying not to burst our laughing, and nobody else in the room seemed to notice.

Shen turned to Kirsten and said “Don’t you think they make a handsome couple?”

“They do, Shen. Really cute.”

Shen’s eyes narrowed a little and with a little grin, he said “Kirsten, use your woman’s intuition. Look at Joey and Maura long and hard. They’ve been going out for just three weeks. D’you think they’ve had sex yet?”

Oh, sweet Jesus Christ.

Maura and I looked at each other with a “Huh?” expression. Kirsten leaned forward and squinted at us, as if focusing her sex-ray vision.

“I’d say there’s been some fooling around, but I don’t think they’ve technically had sex.”

Technically?” Maura and I said, almost at the same time.

I raised both my hands. “Wait, wait, wait. I don’t think you understand. Maura and I…well, this is a first date.”

There was a second’s silence followed by a group “Ooooooooooohhhhhhh.”

Shen saw an opportunity and slid beside Maura, putting an arm around her. “So,” he said, “a first date, huh? What would you say the odds of Joey getting kissed tonight are?”

I smiled, but thought If Shen has completely ruined this date with that idiotic fucking question, I thought, I am coming back later tonight with a fucking can of gasoline and fucking torching this fucking place right down to the fucking ground.

“Wouldn’t you like to know,” Maura said.

I was glad she had a sense of humour.

“Well, I think you should,” said Yvonne. “He’s handsome, he’s talented, and he looks like a keeper.”

Damn, I’d never had a cheering section on a date before. The double-date idea was sounding better and better all the time.

We all talked for another ten minutes, after which Maura and I excused ourselves. We bade them goodbye and walked out into the cool night air.

“I swear,” I said to Maura, between laughs, “I did not set that whole thing up.”

She laughed.

The Job…

I dropped Shen a line on Monday, thanking him for his hospitality and made an appointment to meet with him and his CTO later that week. We had a couple of meetings over beers, and as a result, I have a steady client with lots of future work, all thanks to a little accordion-powered serendipity.

…And the Date

Halfway through a rather nice goodbye kiss, Maura gave me a gentle punch on my right temple.

“You’re weird,” she said, “but fun. Call me.”

With a wave, she disappeared behind the door.

I rubbed my temple and walked home, smiling all the way.

Categories
Accordion, Instrument of the Gods It Happened to Me

This Sort of Thing is Precisely Why I Took Up the Accordion

Someone sent me this clipping from the Eugene Weekly’s personals:

Studio of Unfine Art.

You: lanky dork behind counter.

Me: dark hair stray looking at your accordion.

Want to find bigfoot together?

Sounds like my kind of girl and my kind of date. You bring the sasquatch bait, I’ll bring the mazola.

Categories
Accordion, Instrument of the Gods It Happened to Me

The Star Spangled Banner and Anal Sovereignty

Latex-gloved handYesterday was an exercise in patience and perseverance.

It all started with an airline ticket that never made it to my house. I got the ticket using points I’d accumulated on my VISA card and the travel agency associated with the card insisted on sending me a paper ticket. I can’t even recall the last time I used a paper ticket. They were supposed to send it to me in the mail, but it never arrived. I tried calling the agency, but got stuck on hold each time.

Not knowing the difference between a paper ticket and an e-ticket, I went to the airport anyway. I’d paid for the ticket, so I assumed it would be on the airline’s computer.

Apparently not. The folks at the ticket counter explained to me that while an e-ticket represented an actual booking of an airline seat, a paper ticket was simply a cash equivalent that could be redeemed for a booked seat. No paper ticket, no seat.

I spent the next hour navigating the voice mail system of my credit card’s travel agency. About eight levels deep, I found an option that might help.

“To contact the emergency travel arrangements desk,” the voice said, “press five.”

I pressed five and twelve rings later, got connected with an agent. He suggested that I buy a ticket to San Jose and fill out a lost ticket indemnity form that would allow me to get the money back once my ticket had been confirmed as lost. The round trip ticket was a little more than I could afford — even with the guaranteed refund — so the people at the airline counter suggested that I buy a one-way ticket to San Jose and have the travel agency courier me a one-way ticket back home.

I followed their advice and proceeded to customs.

I handed customs my passport and boarding passes. They took one look at my ticket and decided I fit the profile:

  • A one way ticket,
  • bought at the last minute at the counter
  • (which they mistakenly thought was bought with cash)
  • by a solo-travelling non-caucasian male
  • born in a country with active Al-Qaeda-funded groups (the Philippines has to contend with Osama-funded jerkoffs Abu Sayyaf).

I was escorted into a customs interview room, a small place with a desk equipped with a microphone, a chair on either side of the desk and a surveillance camera pointed at the interviewee’s chair. As I waited for my interviewer, I imagined someone in one of the adjoining offices snapping on a pair of latex gloves and slathering them with lube.

After about fifteen minutes, a man in a U.S. customs uniform approached the room, but was interrupted by a coworker. “Hey, Phil just brought in four boxes of Krispy Kremes!

Both of them made a beeline in some other direction, and I waited another ten minutes for my interviewer to return. By then, I’d missed my flight.

The customs guy was pretty nice, asking me the same questions I’d been asked earlier — where was I headed, how long was I staying, whom I was visiting — as well as some out-of-the-ordinary questions:

  • “Have you been to the middle east lately?”
  • “Have you been to the Philippines recently?”
  • “Are any of your clients from the currently ‘hot’ countries?”

He then asked if he could search my luggage; I said “yes,” partly because I had nothing to hide and partly because I didn’t want to face the consequences of saying “no”.

When he opened my accordion bag, he asked me to play it in order to prove it was a real musical instrument.

It was then that I decided that there is only one song you play when trying to establish your bona fides with a U.S. customs official: The Star Spangled Banner.

About four bars in, he declared me free to go.

He explained that my circumstances looked a little suspicious, hence the interrogation and search. I told him that I understood he was just doing his job and hustled out of there.

I was thankful that the searching was restricted to my luggage. I’m pretty sure that playing the U.S. national anthem played a part in convincing him that I was not a terrorist and that he should recognize my right to anal sovereignty.

Categories
Accordion, Instrument of the Gods It Happened to Me

Three Years Ago Today…

On Saturday, May 1st, 1999, I took the accordion out and played it in public for the first time. I soon discovered that I could wear it like a backpack when I wasn’t playing it, which made it convenient to take whereever I went. That in turn led me to discover that interesting things happen when you carry an accordion around on your back. Life hasn’t been the same since.

I’ve got two accordions — the original, a Titano two-reed student model, which I call the “Street Accordion” and a Crucianelli three-reeder, which is the “Club Accordion”, which I bought in November 2000. The Street Accordion is the better-travelled of the two, having accompanied me to New York City, Burning Man, San Francisco, L.A. and Prague. The Club Accordion’s been to San Francisco.

Here are some notable things people have said to me:

  • Can you actually play that?
  • Is that heavy?
  • It’s my birthday. Can you play Happy Birthday for me?
  • I’ll give you 20 bucks if you can play In-A-Gadda-Da-Vida
  • I’ve never seen an Asian guy play an accordion before.
  • My Dad plays the accordion! (Usually a woman says this. I think it’s some kind of Elektra complex thing, which is good.)
  • That’s such a cool…what do you call that instrument?
  • I run a software company. Would you like a job? (I’ve been asked this at least a dozen times.)
  • (while pressing the keys when I’m not squeezing it) Howcum it’s not making any sound?

I thought I’d post the all-time-best accordion picture in my collection in honour of this event. It doesn’t have me in it, but it does have the accordion:

Thanks to everyone who took part in my accordion adventures. I’m certainly planning on having more.

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Accordion, Instrument of the Gods It Happened to Me Music

The Accidental Go-Go Dancer

Joey deVilla plays accordion while go-go dancing on the bar at The Living Room.

At last, the go-go dancer story.

There was a birthday party for my friend Marlo on Saturday. Dinner — which I missed, owing to some prior commitments — was at the anything-goes yuppie hangout Seven Numbers.

I caught up with Marlo and her entourage after dessert, at which point everyone decided that they wanted to go dancing. I suggested the neighbourhood I call “Clubland”, a busy row of bars and clubs just south of where I live. We were going to see if we could get into Fez Batik, and if the line was too long, we had at least a dozen other clubs from which we could choose.

The line for Fez wasn’t moving at all, so we decided to walk south and try our luck at the clubs on Adelaide Street. Luck was with us; while The Living Room had a decent crowd inside, there wasn’t any line.

A lovely lady tries on my cowboy hat.
Always let the ladies try your pimp hat on.

A brunette bartender in pigtails and olive green tank top motioned for me to come over to the bar.

“Can you play that thing?” she asked, pointing at my accordion, which I was wearing like a backpack.

“Yeah, otherwise it would just be a thirty-pound fashion accessory,” I replied.

“I’ll buy you a drink if you play something for me.”

I don’t remember what the DJ was playing at the time, but it was easy to figure out which key it was in. I remember the song having a simple riff and that I had no trouble playing it. The bartender was impressed and she poured two shots of Goldschlager — one for her, one for me.

A bearded man in a grey sharkskin suit walked up to me.

“That was great! By the way, I’m Tony. I run this place. Follow me to the DJ booth.”

I followed him through the crowded dance floor and into the booth.

It was occupied by the DJ and a couple of hangers-on. The DJ was starting an old-school set with Prince’s Kiss. Tony asked the DJ for the microphone.

“Ladies and gentlemen,” Tony announced, “please welcome the latest addition to The Living Room family…the Accordion Dude!”

I tipped my hat to the crowd. Tony pointed the microphone at the accordion and said “Go on, play.” Luckily, Kiss is a I-IV-V song, heavy on the sevenths, and it took me only two stabs at the keyboard to find the right key – A. I played through to the end of the song and even managed to get in a decent solo.

Tony led me to the bar on the opposite end of the dance floor, where he asked me to play something for the dreadlocked barman. I forget what the DJ was playing at the time, but once again, it was easy to figure out the notes and I played along. The earned me a free drink from this bartender, and Tony gave me a fistful of tickets good for free drinks. He then led me to the lounge near the front of the club to play for the bartender there. Marlo and company were in the lounge, so I gave them the drink tickets.

“When the accordion train comes in, everybody rides!” I said.

I managed to have a couple of vodka-and-cranberries with the birthday party before Tony came back with an idea.

“I’m gonna have you dance right on the main bar. It’ll be just like Coyote Ugly, but with an accordion.”

He put two crisp fifty dollar bills in my hand and led me to the bar with the pigtailed bartender who served me first. They cleared off a section of the bar for me, and I climbed up and played and danced.

The bartender, Jenn, kept feeding me Goldschlager shots. So far, I hadn’t spent a dime on drinks and I was actually making money.

Marlo had my camera and took a couple of pictures:

The guy in the sharkskin suit in the foreground? That’s Tony.

A couple of women reached up and tucked fivers in my pants. Inspired by this, Jenn climbed on the bar after last call and tucked my shared of the bar tips into my pockets while spanking me to the beat. This, of course, is why we boys take up playing instruments in the first place.

Joey deVilla plays accordion while go-go dancing on the bar at The Living Room.

We decided to head out for some late-night eats after Jenn closed the bar. As I walked out, Tony asked me to meet with him later in the week to discuss a performance schedule. He wants me there every Friday and Saturday night.

I don’t really want to sacrifice my weekend nights to go-go dancing.

(I just read that last sentence and thought: That’s one of those things I never expected to write.)

Joey deVilla with accordion, triumphant after the go-go dancing gig.

Categories
Accordion, Instrument of the Gods It Happened to Me

I am Now a Go-Go Dancer

As it gets closer and closer to the third anniversary of the day I first played the accordion in public, its powers to bend reality seem to be increasing. Life becomes more and more like a beer commercial every time I bring it out.

This, of course, is a Very Good Thing.

More details later.

Categories
Accordion, Instrument of the Gods It Happened to Me

They’re Not “Strippers”, They’re “Naked-Americans”

North Beach

north beach

Photo by Weegee010, and under a Creative Commons Attribution-Share Alike 4.0 license.
Click to see the source.

Friday, February 15th: North Beach is one of San Franscisco’s most lively neighbourhoods. It’s a strange mix of date-worthy Italian resto-bars and strip clubs, as if New York’s pre-Disneyfied Times Square and Little Italy had merged. The sidewalks are crowded with people eating tiramisu at cafe tables and passers-by taking in the sights. The road is packed with cars looking for places to park and limousines and buses full of partygoers toasting each other and people on the sidewalk with cans of beer.

Paul, Scott Hardy and I were being led to The Lusty Lady by Annalee Newitz, sex-and-tech writer extraordinaire, whom we’d met at CodeCon earlier that day. We were joined by her friend Charles Anders, who wore a smart little skirt uniform (Meter maid? Police? I don’t recall.) and sensible red flats.

A little aside: I have a theory that the “Gay Disneyland” part of San Francisco’s Castro neighbourhood stops where Castro Street turns into a steep hill because it’s impossible to climb it in a pair of pumps.

It was the kind of group you might only see in an ensemble cast movie: cross-dressing Charles, Annalee in indie-rock olive drab, Scott (who looks as though he could’ve been a member of Steppenwolf), Paul the tall guy from the Midwest, and the mop-topped Asian guy with the accordion on his back (“…and together, they fight crime!”).

The Lusty Lady

lusty lady

Photo by “Noodle”, and under a Creative Commons Attribution-Share Alike 2.0 Generic license.
Click to see the source.

The Lusty Lady is no ordinary peepshow theatre. It was the setting of a documentary film called Live Nude Girls Unite!, a story about the struggle to form first exotic dancer’s union. In order to supplement her income, comedian Julia Query started dancing at the Lusty Lady and found the work arrangements appallingly bad. Dancers had to pay stage fees — the exotic dancer’s equivalent of the musician’s onerous “pay-to-play” contract, were being asked to “date” the owners’ friends and were being videotaped for porn without their knowledge or being paid. The end result: the Exotic Dancers Union was formed. The Lusty Lady is, as I understand it, the only unionized strip club in North America.

“Do they have a good dental plan?” I asked Annalee. “I’m unemployed, you know. And is it, you know, empowering? I don’t want to be exploitive. I mean, I’m like that guy from the Chris Isaak Show, the guy who had the line ‘You give me a boner…with respect.'”

When we arrived at the Lusty Lady, we were met by more of Annalee’s and Charles’ friends, making our combined group an almost even mix of men and women. How different this scene was from what it was like ten years ago, when many of my women friends shared Catherine MacKinnon’s and Andrea Dworkin’s views: “pornography is the theory, rape is the practice”.

The Lusty Lady’s front desk is in a room painted a very lurid red with cheesy furniture; it would look right at home in a Russ Meyer film. A little weasel of a man sat at the front desk.

“Are the art films still in the video booths?” asked Annalee.

“Art films”, I thought. Yeah, right.

“Yesmam!” he said in an cartoonish Spanish accent with an even more cartoonish sing-song cadence. He sounded like a less gravelly-voiced version of “Cheech” Marin’s character, Chet Pussy, in From Dusk Till Dawn. “De regular pooooorno feelms are on channels hwone t’ru twenny-seven, wit’ the art feelm on channel twenny-h’eight.” He said pooooorno feelms and art feelm with particular gusto, and cupped hands pantomiming the squeezing of breasts. “An’ don’ forget ’bout de nekkid ladies!”

The back area was painted the same lurid red. It was a hallway with closely spaced doors, each with a number and a light overhead that was lit up if the room was occupied.

“Let’s get the corner booth,” said Annalee. “There’ll be more room there.”

The five of us piled into a triangular shaped room with a bench built into the wall. On one wall was a machine that accepted bills. The wall that the bench faced had a plexiglass window that was covered by a shade on the other side. The booth was stuffy and had a vague, mushroom-like odor.

“I just stepped in something slimy,” Paul said.

That’s when I noticed the paper towel dispenser on the wall.

Someone fished out a five-dollar bill and fed it into the machine. The shade on the other side of the plexiglass rose, giving us a view into a small room lined with animal print faux fur and lit by several chaser bulbs. Five women, some completely nude, others wearing tiny pieces of gauzy lingerie looked inside our booth and seemed a little annoyed that we were “cheaping out” and cramming inside.

I raised the accordion so that they could see it.

“What’s in the box?” one of them asked. Oops. I was showing them the back. I turned it around and put it on.

“Let me play you a little song,” I said, and started into Wild Thing.

One by one, they gathered around our window. Three of them lay down on their stomachs, their heads propped up in their hands, as if they were kids watching Saturday morning cartoons. The other two did a sexy dance along to the music.

When the number ended, they appluaded and asked for more. I could not possibly turn down five naked women asking for more. All the women, save the cute blonde one with glasses, took turns dancing; she stayed by the window, watching the show. I smiled at her, she smiled back.

“Take your clothes off!” she yelled.

“I will, but first you have to put money in the machine on your side!” I answered.

We kept feeding the machine for another five songs and left the booth afterwards.

“I tell you, that blonde was checking me out!” I told Paul.

“Yeah, right.”

Paul and I tried one of the video booths next. We opened the door and Paul checked the seat for gooey substances before we sat down. I gave Paul a couple of dollar bills to put into the machine. We cycled through the first twenty-seven channels, which were standard run-of-the-mill porno: anal, vaginal, fellatio, threesome and posing.

“Not much variety,” Paul noted.

The twenty-eighth was quite different. It was a reel of student- and “artist”-produced short films. The first was a close-up of a woman’s mouth licking a one hundred dollar bill, which we found hilarious. The next segment showed a naked woman standing in the woods, with two men in soldier’s uniforms running at her from her left and her right. As they approached her, she raised her arms to face each of them, revealing that she was carrying two handguns. She shot them dead before they could reach her. This repeated in a loop for about a minute.

Pavlov Video Chicken One,” I said. (You’ll have to ask a fan of the old Saturday Night Live about that one, it doesn’t appear in Google.)

Someone knocked at the door. “Joey,” said Jesse on the other side. “Your presence is requested.”

One of Annalee’s friends, a rubenesque woman with a low-cut black shirt was going to strip for the strippers and wanted some accompanying music. She, Annalee and I piled into the corner booth. I played a blues progression in C minor while she pulled up her top, presenting her breasts for the dancers’ viewing pleasure. Such reciprocity!

I could feel the love in the booth. I just hoped I wasn’t standing in any of it.

After the call-and-response peep show in the booth, we returned to the hallway, where we gathered to talk about what we’d just seen or done. We were interrupted by the guy from the front desk, who spoke over the public address system.

E’scuuuuse me! I just haf an announcement for all the people jus’ standin’ in de hallway. Eef chu wan’ to talk, please do it outside an’ don’ block de way for de people who are tryin’ to spend their money on de poooooooorno feeelms!” He said poooooooorno with particular gusto and spoke so comically we couldn’t help but laugh. We walked outside.

Hotel Metropolis

Photo: Lobby of Hotel Metropolis, Tenderloin district, San Francisco.

We went to a cafe on Columbus street and occupied the sidewalk tables. Jillzilla arrived and joined us.

She and I looked through Charles’ book, The Lazy Crossdresser, a copy of which he’d just received from the printer. It starts with a chapter titled Matter and Panty-matter and continues to be hilarious to the very end. I’m definitely going to purchase a copy and have it on my coffee table to put The Fear into some of my more timid guests.

After some cake and coffee, we all parted ways. Jill and I were still in a partying mood, so we gave Brandon a call and headed towards his hotel. We caught a cablecar, where Jill noticed that someone had altered one of the signs within.

no igorThe sign had four of those red circles with the red diagonal bar cutting across an image within the circle.

Three of them were what’s you’d expect: no smoking, no food or drink, no leaning out of the cablecar. Someone had altered the fourth one so that the pictogram and text said “No IGOR”. Apparently lab assistants aren’t allowed on board.

The Hotel Metropolis is on the edge of San Francisco’s notorious Tenderloin district. I was expecting it to be a complete fleabag, but it turned out to be the one of the nicest hotels I’d ever seen. It looked as if it had been decorated by Asian readers of wallpaper* magazine, complete with a glass wall waterfall behind the concierge’s desk and Delirium being played instead of standard Muzak. We went to Brandon’s room, where he, Bram, Jane, Steve and Liza were relaxing. I told them about our evening at the Lusty Lady.

“I refuse to believe it happened!” said Brandon with a smile. “It’s all lies, Joey! Lies!”

“I want to believe,” said Steve.

“I want to sleep,” said Jane.

Somehow Jill and I managed to convince them to go out for a bite to eat at a nearby restaurant, which made for a lovely end to a fun and unusual evening.

Recommended Reading

Book cover: The Lazy Crossdresser, by Charles Anders.

The Lazy Crossdresser by Charles Anders. Be sure to check out Chris ‘site.

A little cross-dressing humour: Transvestites are cross-dressers who hang from the top of the cave, while transvestmites stand on the cave floor. Ha! I slay me!

Annalee’s card says TECHNOLOGY * POP CULTURE * SEX on the front and Must…East…Brains… on the back. How can you not visit her site now? Be sure to check out some of her articles:

I get mentioned in the latest Techsploitation column, which appears in today’s San Francisco Bay Guardian. This column covers blogs and CodeCon.

Thanks, Annalee! You don’t know how much this means to a skanky accordion ho like me!