Here’s a scan of Friday’s edition of the UK paper The Daily Mirror:

Here’s a scan of Friday’s edition of the UK paper The Daily Mirror:


The sign outside Royal Meats Barbeque.
If you’re in Accordion City and out Etobicoke way and looking for a good burger/ice cream combo, I recommend visiting Royal Meats Barbeque for the burger and Tom’s Dairy Freeze for dessert.
The folks at Royal Meats have added their own Serbian twists to the traditional burger joint:
Their location isn’t exactly convenient unless you’re travelling by car (they’re at 710 Kipling, just north of the Queensway), but if you were planning to do a run to the nearby Costco, IKEA or Sherway Gardens, it’s a worthwhile detour. I can’t recommend this burger joint highly enough, and the foodies over at Chowhound agree with me.
I’ve included a screenshot of their menu below — it comes from their website:

Click the menu above to visit Royal Meats Barbeque’s site.

Tom’s Dairy Freeze, as it appeared last night.
After a burger and fries at Royal Meats, a five-minute drive will take you to Tom’s Dairy Freeze, located at 630 The Queensway. It’s an old-school independent soft-serve ice cream shop that’s been there forever. Their soft serve tastes creamier than either Dairy Queen’s or that goo that comes from the ice cream trucks, and the whole “retro”/small town feel of the place is a ice bonus. I’m fond of the large hot fudge sundae, which is an impressive tower of soft serve.

My large hot fudge sundae at Tom’s.
If you’re in the west end of town this summer, make sure you give this combo a try!
…is A bill to save Kill Bill rights, written by Terence Corcoran, in defence of Bill C-61. Corcoran needs to be pummelled savagely with the clue bat many, many times.
I’m certain I will rant more later.

This weekend at Nathan Phillips Square, the Filipino Centre Toronto will be hosting Pistahan sa Toronto, a celebration of Filipino culture, timed to coincide closely with Philippine Independence Day. There will be a large stage featuring all sorts of Philippine cultural performances as well as the “Philippine Idol” singing contest. In addition, there will be all sorts of vendors selling some really tasty Filipino food!
Tickets for DemoCamp 18 (which I announced yesterday in this article) are getting snapped up very quickly. The first batch of 100 General tickets — those are the free ones — are gone, and all the sponsorships have also been purchased. I’m glad to see that the community’s still into DemoCamp!
Here’s a breakdown of the tickets, which are available at DemoCamp’s EventBrite site:
| Ticket Type | Cost | Number Remaining |
|---|---|---|
|
Community Supporter These for people who’d like to “give back” and help DemoCamp by sponsoring it with a paid ticket. You’ll be helping build Toronto’s tech community for a little more than the cost of a Venti latte at Starbucks. |
$5.00 + 99-cent fee | 67 |
|
Community All-Star These for people who’d like to “give back” even more and help DemoCamp by sponsoring it with a slightly more expensive paid ticket. It’s still cheaper than going to the movies, and you’ll probably learn more! |
$10.00 + 99-cent fee | 24 |
|
General Free admission! Maybe you’re a student. Or perhaps you want to see what DemoCamp’s all about. Or perhaps you’ll save your money for drinks at the venue. It’s all good. Alas, this first set of 100 tickets got snapped up in less than 24 hours after the announcement. |
Free | Sold Out |
|
General (June 24th release) This next batch of free admission tickets — another 100 — will be made available on June 24th. |
Free | 100 General tickets will be made available on June 24th |
|
Sponsor If you’re a company or a generous individual, you can really help out the Toronto tech community by purchasing a sponsorship. Compared to other conferences and gatherings, these sponsorships are dirt cheap. Unfortunately, they all got snapped up within 24 hours of the announcement. |
$200.00 + $5.00 fee | Sold Out |
We’re doing our level best to keep these events free. None of the DemoCamp stewards — me, Leila Boujnane, David Crow, Jay Goldman, Greg Wilson — make a cent off DemoCamp; our stewardship is a strictly volunteer effort. All the money goes towards covering the cost of the venue.
As we say on the ticket purchase site:
Keeping DemoCamp free is an important part of what makes the event so accessible and we hope to be able to do so for as long as possible. As the turnout has increased and the venues have grown, the cost of mounting the event has also increased. If you feel that DemoCamp brings you $5 or $10 worth of knowledge, fun, experience, or community, skip that Starbucks run and buy one of the Community Supporter or Community All Star tickets. Thanks!
A new block of free tickets will be made available on June 24th, but there are still a good number of $5 and $10 tickets still available as of this writing. If I were you, I’d get my ticket now.
The new Canadian copyright bill, Bill C-61, was not written for you and me. Canadians with a stake in this law, ranging from customers (I try not to use the term “consumer”) to libraries and educators to artists, record companies and other entertainment industry groups — were not consulted. Bill C-61 was written to the specifications of U.S. officials and American entertainment industry lobby groups, who pressured the U.S. government of approving the Digital Millennium Copyright Act, a law that has been used by the music and movie industry as an excuse to harass customers and turn litigation into a profit center.

One of the provisions of Bill C-61 is that you are allowed to make a backup copy of a legally-purchased CD or DVD or transfer it to your MP3 player or computer for personal use — if and only if there isn’t a digital “lock” that prevents such backups. If a song or movie has some kind of copy protection scheme, that allowance is gone.
The practical upshot of this is that the watching your DVD of Harold and Kumar Go to White Castle is perfectly legal if you pop it into your DVD player, but illegal if you copy it over to your iPod for viewing on your next business trip. The movie studio would rather you bought another copy, which would only be authorized for play on your iPod. And that mix CD you were planning to make for the car for your roadtrip to the cottage? You’ll be breaking the law for each song that you transfer from copy-protected sources. Want a backup copy of your hi-def The Seven Samurai DVD because you love the film so much and want to keep the original in a safe place? The industry has a simple solution: buy another! Making a backup copy’s illegal, after all.
As we move to systems like iPods and PVRs, the industry is also making moves towards per-device licensing. Their ideal would be for a movie that you purchased via download on your computer be licensed only for that computer; if you want to view it on your Tivo, you’ll have to purchase a copy for your Tivo.
For the entertainment industry, this kind of law is a great deal. They don’t have to do any real work — they can slap any old lame copy-protection scheme on their wares, even ones that have been outmoded. The minute you circumvent that copy protection — which is essentially just a way of squeezing as much money from you as they can — they can use the legal system to squeeze as much money from you as they can.

Another provision of Bill C-61 allows you to record television shows on your PVR. That is, if the broadcaster doesn’t disallow recording, which it can do by embedded a “broadcast flag” within the signal — a digital signal that tells your PVR that it’s not allowed to record the show, because that will cut into sales of the DVD box set of the show that they’ll eventually release. In other words, in many cases, your PVR will actually be less capable of recording shows than its clunkier, lower-fidelity predecessor, the VCR.
Here’s another way the VCR has an edge over the modern PVR: with a VCR, you can keep a permanent library of your favourite shows, which will last as long as your tapes do. No such luck with a PVR under Bill C-61: PVRs built in compliance with the bill are not allowed to keep a permanent library of your shows. They will be built with a limited amount of storage and with no backup capability, and just to be safe, all shows recorded on a PVR will be deleted if they are kept for longer than a pre-specified amount of time.

Simply put, Bill C-61 is a legal stick with which the U.S. entertainment industry can use to beat more money out of us by making us pay for the same thing over and over again. It lets the Canadian government abdicate its responsibility for making laws and hands over that responsibility to American record and movie companies, who will treat it as a profit centre. It is, in the words of Canadian internet/e-commerce law expert Michael Geist, a betrayal.
It is not, in the words of Industry Minister Jim Prentice, a “balanced approach to truly benefit Canadians”.
I’m borrowing this list from Michael Geist:

We’ve all been busy for the past few months, but DemoCamp — the show-and-tell networking event for Toronto’s high-tech and startup community — is coming back on Tuesday, July 15th and it’s going to take place in Kensington Market at the restaurant/club Supermarket!
Here are the details:
DemoCamp isn’t DemoCamp without presenters! We have two kind of presentations:
If you want to present at DemoCamp, you can apply here.
If you want to see what Toronto’s tech community is up to, don’t miss DemoCamp!