
If Vladimir Putin had an airline, the safety video it would show at the start of the flight would probably look something like this:

If Vladimir Putin had an airline, the safety video it would show at the start of the flight would probably look something like this:
This company:

They’re looking for a couple of good people to fill a couple of job positions:

in this city:

Here’s one of the positions…

There are more details about the PR Manager position on Shopify’s “jobs” site, but here’s the general gist:
…and here’s the other one:

There are more details about the Social Media Manager position on Shopify’s “jobs” site, but I can sum it up for you:
At Shopify, they equip everyone with a nice set of really cool gear to get their work done:

The picture above shows the gear that was waiting for me at my desk on my first day at the job. I’m sure they’ve updated what comes as “Shopify standard issue”, and I’m sure it’s fantastic.
…and you get to work in a fun, stimulating environment instead of a joyless, soul-killing, joyless cubicle farm…
These are all photos of the mothership in Ottawa, but they’ve gone to great lengths to make the Toronto office a great place to work as well. Much of the credit goes to Chief Culture Officer Daniel Weinand, whose job is to keep Shopify feeling like a fun place, even as it grows from scrappy startup into established middle-sized company.



Better still, you’ll be working in an industry that’s only getting started, and growing like gangbusters!

Ecommerce used to be a nichey “early adopter” sort of thing, but not anymore! It’s harder and harder to find someone who hasn’t ordered something online, and with ecommerce growing at twice the rate of regular bricks-and-mortar retail and still less than 10% of all retail (that’s still something on the order of $50 billion every quarter).
Does this sound like the kind of place where you’d like to work?

So how can you get yourself one of these jobs?
You’re going to have to do more than just fill out the application form and submit a resume. Having a resume puts you in the not-so-elite group known as “everybody”:

Shopify sets itself apart, and you’re going to have to do the same:

One successful applicant created a Shopify shop as his application, “selling” himself and also proving that he understood the product:

Hint, hint: If you’re applying for the PR Manager position, perhaps you should put together a press kit about yourself. If you’re applying for the Social Media Manager position, perhaps you might want to start a social media campaign to explain why you’re the best candidate. You might want to make use of this hashtag:

Do you know who Shopify’s competition are? You might want to look that up.

Hint, hint: There’s a graphic near the beginning of the article that might help!
“Draw the fucking owl” is a mantra at Shopify. If you’re applying to work there, make sure you’ve internalized the comic below, and be ready to explain how you’d draw the owl if you landed the job:

Make sure you touch base with Mark Hayes, marketing and PR guy at Shopify, and tell him Joey sent you.

He’s mark.hayes@shopify.com and @allsop8184 on Twitter. Try and strike a balance between being creative in how reach out to him and not wasting his time!
Here’s the idealized version of the McLobster, McDonald’s answer to the lobster roll, which made its way to McDonald’s in Ontario:
And here’s a photo of an actual McLobster, purchased here in Accordion City. It’s not as pretty:
As for the taste, here’s what National Post writer Rebecca Tucker had to say:
Let’s get a look at another promotional photo:

Okay, now let’s look at another one served at a counter:
Okay, that one’s not too bad. Neither is the one below, which was tweeted by Sam McGillis:
Martin Chow tweeted that he was disappointed by his:
Michael K N’s McLobster looks pretty decent:
My favourite Twitter photo tagged “McLobster” is this one, courtesy of Jacob McCowell:
I believe that internet law reminds me to end such a post with this image:

Music Hack Day is coming to Toronto on Saturday, August 10th and Sunday, August 11th! An event that’s taken place in many cities all over the world, Music Hack Day is when people with different skills and talents — programmers, musicians, designers and artists, to name a few — get together to brainstorm and quickly build prototypes of interesting musical creations. It’s happening here, and it’s free!
Here’s what their registration site says:
Music Hack Day is a hacking session in which participants will conceptualize, create and present their projects. Music + software + mobile + hardware + art + the web. Anything goes as long as it’s music related.
This is the first time that Music Hack Day has come to Toronto! We’re calling on all programmers, designers and artists to come and help us build the future of music.
Music Hack Day has been a great way to demonstrate the creativity around music that comes from the tech community, fostering cross-platform and cross-device innovation.
Music Hack Day is whatever the participants (everyone who attends is a participant — there are no spectators) make it out to be. The best way to get a feel for what it’s like is to look at some past Music Hack Days in other cities.
Creative Commons photo by Thomas Bonte. Click to see the source.
Music Hack Day London took place in their Facebook office in November 2012. Some of the goodies that were created in the 24 allotted hours were:

Creative Commons photo by Duncan Geere. Click to see the source.
Music Hack Day Stockholm happened in January. Here are a couple of interesting projects from that event:
Creative Commons photo by “grossvogel”. Click to see the source.
Music Hack Day Reykjavik gave the world:
Here are some goodies from Music Hack Day Boston:

Specklesounds is a sound generator based on Specklesense hardware.

Bohemian Rhapsichord takes snippets from Queen’s Bohemian Rhapsody and turns them into a full-screen sample playing instrument. Get your hands on a big-ass toucscreen start jamming!

And then there’s Drinkify. Tell it what you’re listening to, and it’ll suggest a cocktail.
There’s been at least one Music Hack Day project that became a full-on commercially-available product: Arpeggionome!

Music Hack Day Toronto is being put together by Toronto Ruby development shop (and excellent putter-together of amazing conferences) Unspace, along with Soundcloud, Rdio and The Echo Nest. It’ll take place at the Glass Factory, located at 99 Sudbury Street (nearest major intersection is Queen and Dufferin).
Here’s the official description of the event, taken from their “About” page:
Mission
- To fast prototype and create brand new music apps (web, mobile or physical) in just24hrs.
- To bring together the music industry and the developer community.
- To highlight and showcase the platforms and API’s of companies working in and around music tech.
- To foster cross-platform and cross-device innovation.
Overview
- Taken place in 17 cities in different countries: London, Berlin, Amsterdam, Boston, San Francisco, Stockholm, Barcelona, Cannes, New York City, Denver, Philadelphia, Paris, Vienna, Reykjavík, Edinburgh, Sydney & Montreal.
- Over 1.200 people taken part including developers and invited members of press/music industry.
- Over 60 companies officially involved and associated with Music Hack Day.
- Over 200 apps built during Music Hack Days, some of them launched commercially.

The sponsors and API providers for the event are:

An event like this — one that mixes music, technology, and the chance to hang out with old and new friends — has my name written all over it, but alas, I’m going to be out of town. I may be missing out, but that means you shouldn’t. If you’ve been dying to work on a music+tech project, go sign up for Music Hack Day Toronto! And once again, it’s free-as-in-beer!
This article also appears in Global Nerdy.
Once again, it’s summer (although the weather may not agree), and it’s Friday, which means it’s Patio Friday in Toronto! Come join Accordion City’s working and non-working professionals at the rooftop of The Pilot (serving Yours Truly drinks since he was 17!), located at 22 Cumberland, just north of Bloor, between Bay and Yonge, for good people, conversation, and — of course — drinks. RJ Moorhouse will be holding down the fort starting at 4 p.m. (doesn’t he have a real job?), while I, being an actual productive member of society, should be there shortly after 6.

In the current edition of the New Yorker, John “I’m a PC” Hodgman takes her 1980 interview on the coddler-of-the-weak Phil Donahue’s show (it actually happened — see below for more!) and imagines a slightly different universe in which that appearance gave her a pop-culture boost, leading to her becoming one of the celebrity panelists on Match Game and a special guest on Fantasy Island as the Spirit of Capitalism. In this alternate reality, Ms. Rand was also given a column in Parade magazine, from which Hodgman “transcribed” some excerpts in a Shouts and Murmurs column titled Ask Ayn.
My favourite bit:
My moral philosophy is founded on the idea that there is an objective reality, and that man’s senses can perceive this objective reality. This faculty, which is man’s reason, is paramount above all else. He takes for evidence only his own experience, his own judgment, and that is why I do not hesitate to say, objectively, definitively, that “Caddyshack” is the year’s best movie.
Rodney Dangerfield plays a self-made man who is not ashamed of his ambition, who does not apologize for his success, and who gets excitement from the joyful reality that we are all going to get laid if we are willing to be productively selfish and to stop coddling the weak. In other movie news, I did not like how easily the boy escaped Jack Nicholson in “The Shining.” I have solved all the hedge mazes in the United States and Europe, and I can tell you they are not that complicated.
I loved Caddyshack too! Go and read the rest of the article; it’s quite amusing.

Ayn Rand may not have really been a fan of Caddyshack, but she was a big fan of Charlie’s Angels. In April 1980, Jerry Schwartz of the Atlanta Journal-Constitution interviewed her, and she went on about a number of topics. Among them were her being unimpressed with Jimmy Carter (not a surprise) and Ronald Reagan (cue the sound of a lot of Republican heads exploding over this fact), the differences between Europeans and Americans, and her appreciation of the TV shows Kojak and of course, Charlie’s Angels. The recording is available online, but don’t think you’re getting it for free, you nanny-statist parasite! It’ll cost you 99 cents at the Ayn Rand Institute eStore.
You can hear her talk about her love for Charlie’s Angels in her interview with Phil Donahue, which took place not long after the Jerry Schwartz interview. He asks her about the show starting at the 5:55 mark.
Why does she love the show? In her own words:
It’s the only romantic television show today. It’s not realistic. It’s not about the gutter, it’s not about the half-wit retarded children, and all the other kind of shows today. It’s about three attractive girls doing impossible things. And because they’re impossible, that what makes it interesting. It shows three young girls who are…better than so-called “real life”.
That is both an apt summary of Charlie’s Angels and my definition of very good porn.

Damn right I had this poster in the late 1970s!
Farrah Fawcett and Ayn Rand shared a birthday: February 2nd. They also shared a correspondence, in which Rand expressed great admiration for Fawcett as well as a wish to cast her as Dagny Taggart in a movie version of Atlas Shrugged. In Farrah’s Brainy Side, an article published in 2009 in the Daily Beast, Amy Wallace presents some excerpts from an email conversation with Fawcett (which is surprisingly coherent, but perhaps that’s the funny/sad appearance on Letterman — here’s part 1, here’s part 2 — that’s colouring my opinion).
I’ll close with a quote from Farrah from the email exchange:
I don’t remember if Ayn’s letter specifically mentioned Charlie’s Angels, but I do remember it saying that she was a fan of my work. A few months later, when we finally spoke on the phone (actually she did most of the speaking and I did most of the listening), she said she never missed an episode of the show. I remember being surprised and flattered by that. I mean, here was this literary genius praising Angels. After all, the show was never popular with critics who dismissed it as “Jiggle TV.”
But Ayn saw something that the critics didn’t, something that I didn’t see either (at least not until many years later): She described the show as a “triumph of concept and casting”.
Even though I think that the Eldredge Tie Knot announces to the world that you’re trying too hard, I’ve given it a try our of sheer curiosity. I’ve followed the diagrams, but my attempts generally end up looking like the photo on the bottom:

I get the feeling that it was created by men’s store owners in order to create more wear and tear on ties and boost sales.