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I Have an Advance Copy of Neal Stephenson’s “Anathem”!

Neal Stephenson’s Anathem

A large, thick bubble-wrap-padded envelope arrived for me at the b5media office. As you can see in the photo of the label below, it’s from HarperCollins publishers:

I opened the envelope to my surprise, here’s what was inside:

I was stunned: it’s the much-anticipated Anathem, the upcoming book by T3H DR4K PR1NC3 0F H4X0R F1C7I0N (that’s “1337-speak” for “the dark prince of hacker fiction”), Neal Stephenson. Stephenson has been rather quiet about this one, saying little about the book beyond this oft-bandied-about hint in Gretta Cook’s LiveJournal:

It’s set on another planet and has aliens and so on. It’s really about Platonic mathematics, but he needed the aliens and space opera-ish elements to spice it up a little bit, just like the pirates kept people engaged in the Baroque books.

The Press Release

Here’s what the press release included with the book has to say:

NEAL STEPHENSON WILL BE AVAILABLE FOR INTERVIEWS OUT OF TORONTO OCTOBER 30TH

From the acclaimed New York Times bestselling author of Cryptonomicon and The Baroque Cycle comes a new stand-alone novel that marks a return to science fiction — the very genre that is Neal Stephenson.

Stephenson’s first new novel in four years, Anathem, derails a young monk’s quiet life behind the walls of a 3,400 year-old monastery with a world-wide catastrophe.

Since childhood, Raz has lived behind the walls of the monastery — a sanctuary for scientists, philosophers, and mathematicians. There, he and his cohorts are sealed off from the illiterate, irrational and unpredictable “saecular” world, an endless landscape of casinos and mega-stores that is plagued by recurring cycles of booms and busts, dark ages and renaissances, world wars and climate change.

Until the day that a higher power, driven by fear, decides it is only these cloistered scholars who have the abilities to avert an impending catastrophe. And, one by one, Raz and his friends, mentors and teachers are sent forth without warning into the unknown.

Anathem confirms Time magazine’s assessment that “Stephenson has a once-in-a-generation gift: he makes complex ideas clear, and he makes them funny, heartbreaking and thrilling.”

The Soundtrack (or: Hey! I know that guy!)

The book comes with an audio CD, whose “liner notes” are on the very first page of the book:

Here’s what the “liner notes” say:

IOLET :: Music from the world of Anathem

Track 1: Approximating Pi (6:53)
Track 2: Thousander Chant (5:29)
Track 3: Proof Using Finite Projective Geometry (4:04)
Track 4: Cellular Automata (5:29)
Track 5: Quantum Spin Network (5:49)
Track 6: Sixteen Color Prime Generating Automation (11:23)
Track 7: Deriving the Quadratic Equation (4:29)

Performers
Jeremy Bornstein – David Krueger
Mark Powell – Adam Steele
David Stutz – Thomas Thompson – James Whetzel

In order to conform to the practices of the avout, this disc contains music composed for and performed by voices alone.

One of the performers’ names jumped at me off the page: David Stutz. I had the pleasure of meeting David first on the Microsoft campus and again at various conferences dedicated to “peer-to-peer” technology. I remember talking not just tech with him, but also about music and our respective arenas musical performance — me with playing with rock bands and as a busker, him with baroque and choral ensembles. A quick check of his personal site confirmed that the David Stutz in the liner notes and the David Stutz I know are one and the same.

Why’d I Get Picked for an Advance Copy?

I suppose that I got the promo package because this blog is on the first page of Google results for the search phrase “Neal Stephenson Toronto”. That’s thanks to my attending his reading back in 2003 and winning a copy of Quicksliver and a chance to hang with him backstage. It’s covered in these three articles:

When Does the Book Come Out?

The publication date is September 13, 2008.

Does the Book Have a Website?

The press release says there’s supposed to be one at anathembook.com, but it doesn’t seem to be set up yet.

Am I Going to Ask to Interview Stephenson?

Interviewing authors isn’t normally my thing, but why not? I’ll let you know what happens.

Related Reading

Anathem and the Long Now: “Neal Stephenson’s new novel, ANATHEM, germinated in 01999 when Danny Hillis asked him and several other contributors to sketch out their ideas of what the Millennium Clock might look like. Stephenson tossed off a quick sketch and promptly forgot about it. Five years later however, when he was between projects, the idea came back to him, and he began to explore the possibility of building a novel around it. ANATHEM is the result, and will be released on September 9th, 02008.”

Anathem’s page on Amazon.com: ” Fraa Erasmas is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the outside “saecular” world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities and governments have risen and fallen beyond the concent’s walls. Three times during history’s darkest epochs violence born of superstition and ignorance has invaded and devastated the cloistered mathic community. Yet the avout have always managed to adapt in the wake of catastrophe, becoming out of necessity even more austere and less dependent on technology and material things. And Erasmas has no fear of the outside—the Extramuros—for the last of the terrible times was long, long ago.

Now, in celebration of the week-long, once-in-a-decade rite of Apert, the fraas and suurs prepare to venture beyond the concent’s gates—at the same time opening them wide to welcome the curious “extras” in. During his first Apert as a fraa, Erasmas eagerly anticipates reconnecting with the landmarks and family he hasn’t seen since he was “collected.” But before the week is out, both the existence he abandoned and the one he embraced will stand poised on the brink of cataclysmic change.

Powerful unforeseen forces jeopardize the peaceful stability of mathic life and the established ennui of the Extramuros—a threat that only an unsteady alliance of saecular and avout can oppose—as, one by one, Erasmas and his colleagues, teachers, and friends are summoned forth from the safety of the concent in hopes of warding off global disaster. Suddenly burdened with a staggering responsibility, Erasmas finds himself a major player in a drama that will determine the future of his world—as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet . . . and beyond.”

Ask Neal Stephenson questions about Anathem: A Boing Boing article that says: “For a limited time only, fans have the chance to ask Neal Stephenson questions about his upcoming novel ANATHEM (though, of course, he may or may not answer…). Questions and answers will be on an online video that will be released before ANATHEM goes on-sale September 9, 2008.” It links to this blog for Eos Books, the sci-fi imprint of HarperCollins.

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“Accordion Idol” Belt Buckle

I have got to get one of these!


Click the photo to see the “Accordion Idol” belt buckle eBay page.

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“Stay Thirsty, My Friends!”

It’s silly, but I must admit that I rather like those commercials for Dos Equis featuring a character known as “The Most Interesting Man in the World”. That’s why I love this photo that Austin Ziegler took of me on Saturday at RubyFringe — I look like I’m auditioning for the part of that Dos Equis pitchman:


Stay thirsty, my friends!
Click the photo to see its Flickr page.

For reference, here’s a pic of The Most Interesting Man in the World:

I’m already greying quite nicely, so I can expect Dos Equis to come a-callin’ any day now…

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An Amusing RubyFringe Moment

This is funnier if you happen to follow the Ruby programming scene or know me and Zed Shaw:


Photo by Libin Pan.
Click the photo to see its Flickr page.

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We are RubyFringe / RubyFringe Write-Ups

I can say with confidence that RubyFringe is the best tech I have ever attended, and possibly the most important one to boot. The presentations have gone beyond what you’d find at your typical tech conference: no product pitches disguised as seminars, no flavour-of-the-month technologies being hyped, but just good ideas that have a certain timeless quality to them, presented by offbeat people to an offbeat crowd. It’s events like this that make me glad I’m a geek and that I make stuff out of pure thought and caffeine every single day. This is more than a 9-to-5 workaday thing that pays the bills; this is our passion.

Simply put, this conference pulled down my brain’s pants and blew my mind.

Here’s a wide-angle photo, which is going to be known as the “We Are RubyFringe” shot:


Photo by Kieran Huggins.
Click the photo to see a larger version.

I’ve posted my notes from Day 1 over at my tech blog, Global Nerdy:

There’s more over here at the Unspace article, We Are RubyFringe.

I’ll post my Day 2 notes later on. I’ll also post a summary here — there was a lot of stuff at this conference that applies to more than just geek life, namely the bits about failure and eschewing the mainstream.

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Scenes from RubyFringe, Part 1

It’s been a while that we’ve had a slide as controversial as David Heinemeier Hansson’s infamous one from the Canada on Rails conference, so I thought I’d make one, and this one’s a good deal friendlier too:


Photo by Libin Pan.

Here’s the crowd at FAILCamp, the gathering that Hampton Catlin and I hosted, where people shared their stores of personal and professional failure — and sometimes even the lessons learned. This was taken early in FAILCamp; later on, the room was packed quite nicely:

After FAILCamp came the kickoff party at the open space on the upper floor of the Amsterdam Brewing Company. Here’s the RubyFringe logo projected against the back wall:

The opening act was Katie Crown, who had a charmingly oddball stand-up routine, which included her taking song suggestions from the audience and turned them into slightly-different version that were in the public domain (for example, she turned Who Let the Dogs Out into Who Released the Canines) and even invited me to join in with the accordion and help her out. We ended up creating public domain versions of Welcome to the Jungle and Gigantic:

Here’s the crowd at the Amsterdam taking in Katie’s routine:

The second act were We Take Lovers, who put on a great show with their indie-rock sound. They’re shopping around for accordions, so I was pleased to “talk shop” with them.

Today is day one of the conference; tonight we’re off to West Queen West to descend on the Drake and Camera!

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RubyFringe Guide: The Unofficial IRC Back Channel

Joey\'s Unofficial Ruby Fringe Guide to Toronto - Small logoIn case you were looking for the IRC back channel for the RubyFringe conference, there’s one on irc.freenode.net at #rubyfringe. Check it out, and see you there!