The article provides a handy photo of Air Force One on a white background:
…and they’ve invited the readers to flex their Photoshop muscles. I thought I’d quickly crank out a couple of doctored images in the hopes of inspiring someone to create a comedic photo-manipulation masterpiece.
Here’s a rather obvious one, featuring the Tourist Guy:
The White House, FAA and Air Force need to be a little more forthcoming.
First of all the FAA didn’t issue a NOTAM for ZNY ARTCC, which would have told any interested civil pilots., whose route might take them nearby, that a 747 variant would be zooming around the Statue of Liberty at 1500 feet. Sometimes presidential flights have their NOTAMs released at the last minute (or in secret cases, not at all). A picture shoot should not rate the same level of secrecy as an actual president-is-aboard flight.
Second, F-16s as a still camera platform? It’s doable, but not when you are trying to maintain formation with a manoeuvring flight lead. The F-16 is a single-seater, after all. They would have to have specifically sent up a two-seat trainer, which would put the combat cameraman in the back.
Which leads to the third problem. Most of the footage we have seen involves the F-16 flying echelon right (or in trail), with the VC-25 as lead. That means most of your pics are going to be from three-quarters behind, which don’t make for the best airplane glamour shots. Especially when your camera guy is in the back and most of his forward perspective is obscured by the guy flying the fighter. Typically you would want a side profile or oblique view from the front (compare existing VC-25 shots here). The F-16 should have been out in front (leading the VC-25) most of the time, or his shots are going to suck.
When civilians do this stuff, say for airline commercials (where you see the 747 roll into a hard turn, and peel off to the left like a fighter jet) they hire a larger, more stable—but still very nimble—camera platform, like a Gulfstream business jet, have it fly in formation with the airliner—typically ahead of it—run through it a half-dozen times, taking the shots they need, and then go home. A NOTAM would be published, that part of the airspace would get closed for a specified period of time, ATC would keep other air traffic well away from it.
Now, since the Statue of Liberty is already part of an existing TFR area, the airspace is already closed. But publishing an additional NOTAM, plus allowing the local authorities (who did know, but were instructed not to publicise it) to get the word out, could have avoided this whole mess.
As for the other points… there’s no doubt good and entirely ordinary explanations for them, but keeping it all under wraps makes the whole thing look much worse than it actually was.
After reading it, I began to wonder why they didn’t do the opposite of keeping it a secret: why not make a big announcement about it and treat it as a mini-air show?
If the response to the air show we have at the Canadian National Exhibition here in Toronto is any indication, it would be a big hit. People, especially in the States, love air shows. If it were me, I’d see if I could get a team like the Blue Angels (they’re Navy – who’s the Air Force equivalent?) to fly in formation behind the big bird.
By now, you’re probably aware of the blunder in which a VC-25 (that’s a souped-up Boeing 747) that sometimes serves as Air Force One, the president’s plane, did a number of low fly-bys over New York City while followed by a fighter plane, causing a fair bit of panic in the city. And for what? A photo op?
(For a change of pace, let me point you to how the story is being covered in Hot Air, one of the premier sites in the right-wing blogosphere to show you how it’s playing out there.)
While the pro-Obama camp see this as a facepalm moment – it’s not just a PR problem for evoking 9/11, but also for the expense as well as the waste of fuel since planes, especially big ones, use lots of juice at low altitudes — and the anti-Obama camp call this a harbinger of the time when he hands over America to its enemies, I choose to view this as a remix opportunity. If you’ve got the time and the video editing software, this is the perfect opportunity to remix the “buzz the tower” scene from Top Gun:
Back in high school, after reading Space-Time and Beyond for the umpteenth time and drinking one too many zombies with my friend Henry, we came up with a theory:
In the infinite set of universes, there had to exist a particular universe in which the events in our lives were being watched as a TV show.
We then made a solemn vow to live the kind of life that got high ratings.